International influences

I have already alluded to the development I had observed in French turning, and was interested to hear that until 10 years ago, French turning had been very traditional. It was only when demonstrators from abroad came to give workshops that things started to change.

Gealltanas behag (Small promise) by Emmet Kane Trois stèles (Three steles) by Carmen Landuyt 120mm dia x 700 mm H

In 1994, Terry Martin taught a course in Jean-François' workshop and introduced colouring and the hollowing tool. Other woodturners followed under the auspices of The Chambre de Metiers de Vienne (Vienne Chamber of Commerce), and a new generation of turners was born.

The main problem facing this new generation of French turners is how to sell their artistic work. There are two galleries in Lyons and Paris that sell such pieces, but that is not enough so some take their work to the States or have their own galleries.

Jean-François also stressed the benefits accrued by attendees of The International Turning Exchange organised by Albert LeCoff's Woodturning Center, which has encouraged Thierry Martenon, Gerard Genestier, Laurent Guillot and Marc Ricourt. He also acknowledged that Woodturning magazine, which is widely read in France, is a source of ideas - although he would prefer more artistic content.

I left Puy St Martin with a notebook full of ideas that I hope will eventually percolate into the work I produce for exhibitions.

"Provincial charm" and demonstrators next